authority (n.)

mid-14c., autentik, "authoritative, duly authorized" (a sense now obsolete), from Old French autentique "authentic; canonical" (13c., Modern French authentique) and directly from Medieval Latin authenticus, from Greek authentikos "original, genuine, principal," from authentes "one acting on one's own authority," from autos "self" (see auto-) + hentes "doer, being" (from PIE root *sene- (2) "to accomplish, achieve"). The sense of "real, entitled to acceptance as factual" is recorded from mid-14c.

Traditionally in modern use, authentic implies that the contents of the thing in question correspond to the facts and are not fictitious (hence "trustworthy, reliable"); while genuine implies that the reputed author is the real one and that we have it as it left the author's hand (hence "unadulterated"); but this is not always maintained: "The distinction which the 18th c. apologists attempted to establish between genuine and authentic ... does not agree well with the etymology of the latter word, and is not now recognized" [OED, 2nd ed. print, 1989].

mid-14c., auctor, autour, autor "father, creator, one who brings about, one who makes or creates" someone or something, from Old French auctor, acteor "author, originator, creator, instigator" (12c., Modern French auteur) and directly from Latin auctor "promoter, producer, father, progenitor; builder, founder; trustworthy writer, authority; historian; performer, doer; responsible person, teacher," literally "one who causes to grow," agent noun from auctus, past participle of augere "to increase" (from PIE root *aug- (1) "to increase").

From late 14c. as "a writer, one who sets forth written statements, original composer of a writing" (as distinguished from a compiler, translator, copyist, etc.). Also from late 14c. as "source of authoritative information or opinion," which is now archaic but is the sense behind authority, etc.

In Middle English the word sometimes was confused with actor. The -t- changed to -th- 16c., on the model of a change in Medieval Latin which was made on the mistaken assumption of a Greek origin and from confusion with authentic.

...[W]riting means revealing oneself to excess .... This is why one can never be alone enough when one writes, why even night is not night enough. ... I have often thought that the best mode of life for me would be to sit in the innermost room of a spacious locked cellar with my writing things and a lamp. Food would be brought and always put down far away from my room, outside the cellar's outermost door. The walk to my food, in my dressing gown, through the vaulted cellars, would be my only exercise. I would then return to my table, eat slowly and with deliberation, then start writing again at once. And how I would write! From what depths I would drag it up! [Franz Kafka, "Letters to Felice," 1913]