crafty (adj.)

Old English cræft (West Saxon, Northumbrian), -creft (Kentish), "power, physical strength, might," from Proto-Germanic *krab-/*kraf- (source also of Old Frisian kreft, Old High German chraft, German Kraft "strength, skill;" Old Norse kraptr "strength, virtue"). The ultimate etymology is uncertain.

The sense expanded in Old English to include "skill, dexterity; art, science, talent" (via a notion of "mental power"), which led by late Old English to the meaning "trade, handicraft, employment requiring special skill or dexterity," also "something built or made." The word still was used for "might, power" in Middle English.

The meaning "small boat" is recorded by 1670s, probably from a phrase similar to vessels of small craft and referring either to the trade they did or the seamanship they required, or perhaps it preserves the word in its original sense of "power."

adjective suffix, "full of or characterized by," from Old English -ig, from Proto-Germanic *-iga- (source also of Dutch, Danish, German -ig, Gothic -egs), from PIE -(i)ko-, adjectival suffix, cognate with elements in Greek -ikos, Latin -icus (see -ic).

Originally added to nouns in Old English; it was used from 13c. with verbs, and by 15c. with other adjectives (for example crispy).

Variant forms in -y for short, common adjectives (vasty, hugy) helped poets keep step with classical feet when the grammatically empty but metrically useful -e dropped off such words in late Middle English. To replace it, by Elizabethan times, verse-writers had adapted to -y forms, and often it was done artfully, as in Sackville's "The wide waste places, and the hugy plain." Simple huge plain would have been a metrical balk.

After Coleridge's criticism of the -y forms as archaic artifice, poets gave up stilly (Moore probably was last to get away with it, with "Oft in the Stilly Night"), paly (which Keats and Coleridge himself had used) and the rest. Jespersen ("Modern English Grammar," 1954) also lists bleaky (Dryden), bluey, greeny, and other color words, lanky, plumpy, stouty, and the slang rummy. Vasty survived, he said, only in imitation of Shakespeare; cooly and moisty (Chaucer, hence Spenser) he regarded as fully obsolete. But in a few cases he notes (haughty, dusky) they seem to have supplanted the shorter forms.