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alpenglow (n.)

rose-colored light on high mountains before dawn or after dusk, 1871, translating German Alpenglühen; see Alp + glow (v.).

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anthropometric (adj.)

"pertaining to the measurements of the human body," 1871, based on French anthropométrique, from anthropometry "measurement of the human body" + -ic.

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arc-light (n.)

"light produced by an electric arc," 1871, from arc (n.) + light (n.). Related: Arc-lamp.

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arguably (adv.)

"as may be shown by argument," 1871, from arguable + -ly (2).

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athetosis (n.)

"condition in which the extremities perform slow, involuntary motions" (a form of childhood cerebral palsy), 1871, with -osis + Greek athetos "not fixed, without position or place, set aside," from athetein "to set aside, reject as spurious," from a- "not" (see a- (3))+ tithenai "place, set" (from reduplicated form of PIE root *dhe- "to set, put"). Coined by U.S. nerve specialist William Alexander Hammond.

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atlatl (n.)

throwing-stick used by some indigenous American peoples, 1871, from Nahuatl (Aztecan) atlatl "spear-thrower."

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bandersnatch (n.)

"fabulous, dangerous creature," 1871 ("Jabberwocky"), coined by Lewis Carroll.

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bean bag (n.)

also bean-bag, "bag filled with beans," 1871 as an object in children's games, 1969 in reference to a type of chair. From bean (n.) + bag (n.).

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box-cutter (n.)

1871, "one whose job is to cut boxes," from box (n.1) + cutter. From 1890 as a type of cutting machine; from 1944 as a hand-held bladed tool for cutting cardboard.

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capnography (n.)

also (and originally) kapnography, "the art of drawing by means of smoke" (or carbon deposited by a flame), 1871, from Greek kapnos "smoke" (see capnomancy) + -graphy. Related: Capnographic; kapnographic.

Kapnography—if we are called on to christen the new Art—may be said to be the very reverse of photography. In the one, the subtle play and reflexion of light is imprisoned by the magic chemistry of the sunbeam ; in the other the human imagination guides the hand to trace designs on the very type of change and emblem of destruction. To fix the faces seen in the fire, or to delineate the ever-changing forms of the clouds, does not seem to be a more unpromising task, than that of producing Alps and glaciers, forests and châlets, waterfalls and wood-hung streams, out of very vapour of combustion—the smoke of a candle. [The Art-Journal, vol. X, 1871]
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