reception (n.)

c. 1300, receiven, "take into one's possession, accept possession of," also in reference to the sacrament, from Old North French receivre (Old French recoivre) "seize, take hold of, pick up; welcome, accept," from Latin recipere "regain, take back, bring back, carry back, recover; take to oneself, take in, admit," from re- "back," though the exact sense here is obscure (see re-) + -cipere, combining form of capere "to take" (from PIE root *kap- "to grasp").

From c. 1300 as "welcome (in a specified manner)." From early 14c. as "catch in the manner of a receptacle." From mid-14c. as "obtain as one's reward." From late 14c. as "accept as authoritative or true;" also late 14c. as "have a blow or wound inflicted." Radio and (later) television sense is attested from 1908. Related: Received; receiving. Receiving line is by 1933.

Other obsolete English verbs from the same Latin word in different forms included recept "to receive, take in" (early 15c., recepten, from Old French recepter, variant of receter and Latin receptus). Also compare receipt, which also had a verb form in Middle English, receiten.

"sensory structure which receives stimuli arising within the tissues," 1906, from Latin proprius "own" (see proper) + reception. Coined by English neurophysiologist C.S. Sherrington (1857-1952). Related: Proprioceptive; proprioception.

"person hired to receive clients in an office," 1900, from reception + -ist.

Originally in photography studios.

Let me not forget the receptionist — generally and preferably, a woman of refined and gentle manners, well informed and specially gifted in handling people of varied dispositions. A woman especially who knows how to handle other women, and who can make herself beloved by the children who may visit the studio. A woman, also, who in a thoroughly suave and dignified way, knows just how to handle the young man of the period so that the photographer may be glad to have his business. What a power the receptionist is when properly chosen and trained. It is not too much to say that she can both make and destroy a business, if she has the amount of discretionary power given to her in some galleries. [John A. Tennant, "Business Methods Applied in Photography," Wilson's Photographic Magazine, October 1900]

Earlier as an adjective in theology and law (1867).